The Negress Digs Up Her Past
We are pleased to present "The Negress Digs Up Her Past," an analog film photography project by Ashunda Norris. This exhibition, supported by the NEW WORK Focus on Los Angeles program, which commissions new work by local artists, will be featured at the Tryst Art Fair.
Show will run from August 23 to August 25, 2024
Tryst Art Fair 21535 Hawthorne Blvd, Torrance, CA 90503
Public Hours: 12pm-6pm (Saturday and Sunday)
"The Negress Digs Up Her Past" delves into Norris's ancestral lineage, highlighting its connection to African Diaspora Religions and the Black Church while exploring her heritage in the Deep South. Through her work, Norris documents her family's Hoodoo traditions, capturing the Elders of her bloodline and the Black Southern community from which she comes. The project reflects on refusals to migrate and examines how the Black Southern landscape and ancient stories shape a family’s contemporary life and engagement with the spirit realm.
"My aim was to capture my Elders, particularly my last living great aunt on my father's mother's side, and the spiritual community from which we are birthed," explains Norris. "Her sudden passing in January halted the project, but it eventually led me to capture everyday moments of Black Southern life and landscapes."
Norris's work is profoundly influenced by Deborah Willis's exploration of African American identity and history through photography, which serves as a guiding influence in Norris's artistic journey. Additionally, Ming Smith's evocative and pioneering imagery of Black life, along with Carrie Mae Weems's critical examinations of race, gender, and society, deeply resonate within Norris's work. These influences converge in "The Negress Digs Up Her Past," creating a visual narrative that honors her heritage and provides a nuanced perspective on contemporary Black Southern experiences.
*All images courtesy of the artist
Ashunda is a Black feminist multidisciplinary artist with creative work that encompasses film, poetry, archiving and her own theoretical frameworks. She has written, directed, and produced several short films, including her most recent multi-award-winning cinematic gesture, MINO: A Diasporic Myth; now streaming on kweliTV. A two-time Furious Flower Poetry Prize finalist, Ashunda holds fellowships from Cave Canem, Torch Literary Arts, the California Arts Council, Brooklyn Poets, and Starshine & Clay. Her writing has been featured or is forthcoming in Poetry Northwest, Evergreen Review, Gulf Coast, Obsidian, Taint Taint Taint, Root Work Journal, Fence, and elsewhere. Born and raised in the heart of rural, red clay Georgia, Ashunda is now a bonafide citified bitch living and dreaming in Los Angeles.